Talent agency CAA tests AI clones of artists

Creative Artists Agency (CAA) is actively exploring the use of artificial intelligence to create digital doubles of artists, a move that reflects broader trends in the entertainment industry regarding the integration of AI technologies. CAA, a leading entertainment and sports agency, has developed a facility known as the CAA Vault, which utilizes AI technology to create digital "doubles" of their clients. This initiative allows artists to have ownership and control over their digital likenesses, addressing issues related to copyright and the unauthorized use of their images[1][4].

The CAA Vault is equipped with advanced technology to capture detailed scans of an actor's body, face, movements, and voice. These scans are then used to create high-fidelity digital replicas that can be used in various media productions, potentially even acting in place of the actual actors. This technology not only offers new creative possibilities but also raises significant ethical and legal questions, particularly concerning the rights to these digital personas and the implications for actors' careers[4].

Moreover, CAA's approach to AI in entertainment extends beyond just creating digital doubles. The agency has been recognized for its proactive stance in integrating AI across its operations, enhancing its service offerings in areas such as sports analytics, marketing initiatives, and more. This broad application of AI underlines CAA's commitment to maintaining a leading position in the rapidly evolving digital landscape of the entertainment industry[1].

In summary, CAA's exploration and implementation of AI technologies, particularly through the creation of digital doubles in the CAA Vault, highlight a significant shift in how the entertainment industry could operate in the future. This development not only offers new opportunities for creative expression and marketing but also necessitates careful consideration of the ethical and legal dimensions of digital personhood and copyright in the digital age[1][4].

Citations:
[1] https://www.linkedin.com/company/creative-artists-agency
[2] https://aiart2021.github.io
[3] https://www.academia.edu/45593865/The_Machine_as_Art_The_Machine_as_Artist
[4] https://www.youtube.com/watch?v=RU9o1GC48ck
[5] https://www.mdpi.com/2076-3417/12/8/3724
[6] https://www.theguardian.com/technology/2022/nov/12/when-ai-can-make-art-what-does-it-mean-for-creativity-dall-e-midjourney
[7] https://techxplore.com/news/2024-04-ai-companies-courting-hollywood-peace.html
[8] https://refikanadol.com/information/
[9] https://deadline.com/2024/01/lainey-wilson-ai-congress-field-hearing-1235805592/
[10] https://www.ftc.gov/system/files/ftc_gov/pdf/creative-economy-and-generative-ai-transcript-october-4-2023.pdf
[11] https://bitforms.art/resources/
[12] https://www.mdpi.com/2076-0752/8/1/25
[13] https://www.theinformation.com/articles/dont-put-your-head-in-the-sand-stars-are-quietly-inking-deals-to-license-their-ai-doubles
[14] https://www.reddit.com/r/vfx/comments/10trl4g/my_thaughts_on_ai_replacing_vfx_jobs/
[15] https://www.hindustantimes.com/art-and-culture/art-meets-ai-computer-generated-works-set-for-new-york-sale/story-ZjsvYzJYHNsfIzVTlcIdqK.html
[16] https://www.theinformation.com/articles/why-the-new-york-times-case-against-openai-is-stronger-than-sarah-silvermans
[17] https://www.culture3.com/posts/synthetic-hollywood-a-future-with-no-actors
[18] https://www.theinformation.com/articles/at-pinterest-talk-of-creators-fades-as-ai-rises-chart
[19] https://www.wsj.com/tech/ai/behind-the-making-of-my-ai-digital-double-0ff22ac8
[20] https://www.linkedin.com/posts/creative-artists-agency_joel-lubin-and-maha-dakhil-the-co-heads-activity-6998797101895757824-OLyr